Numerical Data

“…many of us are cajoled by the mere presence of numbers and charts in the media we consume, no matter whether we can interpret them well.”

Alberto Cairo: How Charts Lie – Getting Smarter about Visual Information

Visual representations of numbers and numerical data are the core of my Fulbright project — that is what I thought when I started. I thought I would mostly focus on this category. And it would have been true had I focused on the infographics books.

But I excluded them. The contrast started to feel big. Infographics books are full of representations of numerical data, and in other books they are rare. Infographics books often refer to infographics in the title — I felt addressing an audience already interested in the theme.

And there aren’t that many of them.

Few words on my thoughts behind the whole project

The year 2020 brought data visualization in front of our eyes more than ever before. Graphs, charts and different kinds of visualizations on amounts of covid cases and deaths filled the media. It was all numbers. The ones who are best equipped in reading them are people with good education and who work with charts and graphs on a daily basis. Those people already had the tools to not just interpret and understand but start digesting the new data.

I don’t think everyone did. They are not innate skills. I saw a lot of graphs and charts I didn’t understand. I highly doubt I’m the only one. In my client work for several years, I’ve learned that people don’t easily say when they don’t understand a graph or a visualization. They just hum along.

I think there are a lot of people who don’t see a lot of data visualization in their daily life. I think it’s true with a lot of artists, for example. They don’t open up Excel and PowerPoint in their daily work. Why would they?

Do picture book makers get a little insecure or shy with numbers? I often wonder, looking at creative clever gorgeous nonfiction picture books that could tell about their themes through numbers, too, but they don’t.

Let’s see what I found.

Lines, Bars and Circles: How William Playfair Invented Graphs by Helaine Becker & Marie-Ève Tremblay (Illustrator), 2017

A book about the person who invented charts and graphs, William Playfair!

The Quest for Z: The True Story of Explorer Percy Fawcett and a Lost City in the Amazon by Greg Pizzoli (Author & Illustrator), 2017

The death count on the left page shows how many have disappeared or died in search of Percy Fawcett and his two comrades. I was rather sure I would find data presented like this more in children’s nonfiction picture books (with less dire topics).

Lifetime: The Amazing Numbers in Animal Lives by Lola M Schaefer & Christopher Silas Neal (Illustrator), 2013

Lifetime is a picture book that shows a lifetime in different numbers. The book has a very interesting approach on the subject and a comfortable pace, and the amount of information per spread is precise; there’s no rush.

Climate Action: The Future is in Our Hands by Georgina Stevens & Katie Rewse (Illustrator), 2021

Climate Action doesn’t have infographics in its title, but I’d say it is an infographics book. The reason I still chose to pick it here is the bar graph on the left on this spread, on greenhouse gases. When I first saw it I wasn’t sure if it was a good idea to place illustrations inside the bars; would it make the whole information (ahem, the main thing) hard to read or remember. But I just couldn’t forget this graph. It was the first time I saw someone illustrate the bars on a bar graph with the content. I definitely remembered what the first two bars were.

Ever since I have considered this the single most interesting graph I’ve encountered in the project. (Would I recommend it to be widely used elsewhere? Let’s not go that far!)

Looking at structures

Anno’s Counting Book by Mitsumasa Anno (Author & Illustrator), 1977

There are lots of counting books from 1 to 10. I chose Anno’s Counting Book, a classic from 1977, as an example because of the counting blocks on the left side of each spread. Clever introduction to bar graphs. The book counts from 1 to 12.

One Grain of Rice – A Mathematical Folktale by Demi (Author & Illustrator), 1997

One Grain of Rice – A Mathematical Folktale by Demi is a lesson on how numbers grow through doubling. Different animals carrying bags and baskets are needed (more and more) to carry all the rice that keeps doubling up each day for 30 days in a row. The culmination is a double gatefold showing 256 elephants carrying the rice.

Storytime Math

Storytime Math by Charlesbridge is a children’s picture book series where fictional stories are built around math themes, such as sorting and classifying, patterns, proportional thinking, spatial sense, to mention a few. The addressing of the themes reflect what children do in their everyday lives; things and situations where mathematical thinking is needed. You don’t necessarily even realize these are math books. They don’t underline the mathematics, and they don’t end with an answer.

Bracelets for Bina’s Brothers by Rajani LaRocca & Chaaya Prabhat (Illustrator), 2021

In Bracelets for Bina’s Brothers Bina arranges patterns from different colored beads for her three brothers.

Usha and the Big Digger by Amitha Jagannath Knight & Sandhya Prabhat (Illustrator), 2021

The themes of Usha and the Big Dipper are geometry and spatial sense. Usha and her sister and cousin are looking at constellations on a night sky.

Needless to say, I love this approach. I would love to see a similar book series on infographics and data visualization, too. Something not underlined in the title, but rather woven inside the story (narrative or expository), close to children’s daily lives.

Numerical Data is the sixth and final category I have come up with in my Fulbright project during spring 2022 exploring presentations of data in children’s nonfiction picture books published in the United States (and originated; with a few exceptions), especially in the years 2021-22. For more information on the project and on the books I have explored read here.

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Visual Comparisons

“Never leave a number all by itself. Never believe that one number on its own can be meaningful. If you are offered one number, always ask for at least one more. Something to compare it with.”

Hans Rosling: Factfulness: Ten Reasons We’re Wrong About the World – and Why Things Are Better Than You Think

Visual comparisons are rather common in children’s nonfiction picture books. You can compare different things visually. Here the focus is on size: height, length or area.

Visual comparisons look easy when they are done right, and if they’re not – well, they make you frown. Your beholding flow stops. Picture books are great platforms for visual information like this, and the play between big and small is visible in a lot of fiction work, too. Visual comparisons that don’t need words to be comprehended allow children to be the ones to catch what’s happening.

When looking at visual comparisons from visual/verbal narrative point of view, they are primarily visual and the verbal part is selective and sparse.

I have given it thought whether this category should be on its own or should it be merged with the next one (Numerical data). All this, comparing of sizes, is of course mathematical data even though numbers might not be visible. But because of the audience (children) and form (picture book) I continue keeping them separated. You could say – this is a good category for approaching numerical data.

Chickenology – The Ultimate Encyclopaedia by Barbara Sandri, Francesco Giubbilini & Camilla Pintonato (Illustrator), 2021

The numbers can be there, of course, like in Chickenology. But the numbers are additional information: the grand focus of the illustration is on the boy and the chickens, especially the big black one. Here the comparison is of height.

My First Book of Dinosaur Comparisons by Sara Hurst & Ana Seixas (Illustration), 2021
My First Book of Dinosaur Comparisons by Sara Hurst & Ana Seixas (Illustration), 2021

The book by Sara Hurst and Ana Seixas, built around visual comparisons, does a good job. The comparisons are easy to grasp: You don’t necessarily need to read the text to understand that the T-rex is the size of a Londoner bus, or that the triceratops is the size of a bulldozer. Feather lengths are compared to a pencil and a large banana. The measuring tape, given to show the length of Anchiornis, gives you a one-step-further comparison to the real world’s measures.

Heads and Tails Underwater by John Canty (Author & Illustrator), 2021

Heads and Tails Underwater is a good example of a very picture book kind of way to show and compare size. Most of the other animals in the book only take up two pages on two spreads. But the whale takes 4 pages on 3 spreads: a whole extra spread, as can be seen in the picture above, because of its size.

Looking at structures

Can a visual comparison be the main structural factor of a picture book? Yes it can. Jason Chin’s Your Place in the Universe is comparisons from the beginning to the end, starting with the book itself and ending to the end of the universe. And when moving on to the next one you always see the previous page content on the left side as a comparison.

Your Place in the Universe by Jason Chin (Author & Illustrator), 2020

Chin uses the book itself as a start to comparing: 8-year-olds are about five times as tall as the book. Chin has a unique approach to data; and his upcoming book is somewhat a sequel to Your Place in the Universe: The Universe in You: A Microscopic Journey. It goes to the opposite direction!

I am a book. I am a portal to the universe. (2020) by designer and artist Stefanie Posavec and data journalist and researcher Miriam Quick was created to be an interactive experience. Every measurement in it is represented on a 1:1 scale. “Hold me up to the sky. How many stars lie behind my two pages?”

During my Fulbright project I’ve learned to use the word behold rather than read when it comes to picture books. Seems it would be especially appropriate with this book!

Visual Comparisons are the fifth category I have come up with in my Fulbright project during spring 2022 exploring presentations of data in children’s nonfiction picture books published in the United States (and originated; with a few exceptions), especially in the years 2021-22. For more information on the project and on the books I have explored read here.

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Cutaway Illustrations

Cutaway illustrations – including anatomy illustrations and exploded views – are very common in children’s nonfiction picture books. They are kind of like maps but on different subjects: animals, humans, plants, houses, ships…. Exploded views you often see of technical subjects.

This is visual information you cannot see in real life: Outside and inside both visible at the same time. Usually they take a lot of the illustrator’s time, and require extensive background work. The illustration might be put together from several different materials and sources: photographs, live sketching, video footage, diagrams and articles. Expert help in different stages is crucial. When it’s nonfiction everything needs to be accurate, and you just don’t necessarily have a shark nearby to cut open (and don’t want to!).

Neighbourhood Sharks – Hunting with the Great Whites of California’s Farallon Islands by Katherine Roy (Author & Illustrator), 2014

Katherine Roy’s skilled anatomy illustration of a shark shows how its heat exchange system works.

The Tree of Life: Charles Darwin by Peter Sís (Author & Illustrator), 2003

Peter Sís’s cutaway from H.M.S. Beagle, Charles Darwin’s ship departing from Devonport in 1831, shows the ship’s interiors, passengers and crew.

Nano – The Spectacular Science of the Very (Very) Small by Dr. Jess Wade & Melissa Castrillón (Illustrator), 2021

Nano – The Spectacular Science of the Very (Very) Small is a nonfiction book but this house is fiction, I’m guessing – and a good example of a cutaway of a house.

The Message – The Extraordinary Journey of an Ordinary Text Message by Michael Emberley (Author & Illustrator), 2021

Michael Emberley’s exploded view shows the main components of a smartphone.

These illustrations suit picture books: Easy on the eyes, lots of details, a view not possible (or atleast not usual) in real world. You can go back numerous times and search for details you hadn’t noticed before – or then just wonder at the fresh perspective.

When looking at cutaway illustrations from visual/verbal narrative point of view, they are almost always primarily visual and the verbal part is selective and sparse. They first need to work as an illustration and have all the info needed at its place before texts are added. However they might look rather naked without text.

Looking at structures

Can a cutaway illustration be the main structural factor of a book? Can a book be built around a cutaway, anatomy illustration or an exploded view? Yes it can.

Hospital: The Inside Story by Dr. Christle Nwora & Ginnie Hsu (Illustrator), 2022

Hospital: The Inside Story walks you through a hospital and its different wards in one day – it’s like a cutaway in the form of a book. All the wards, their purposes, their crew, equipment and actions are shown.

Pyramid by David Macaulay (Author & Illustrator), 1975

David Macaulay has made numerous impressive books where he dives deep into how things, machines or even entire buildings work. Pyramid is full of different sorts of cutaway illustrations on the construction and use of ancient Egyptian pyramids. Macaulay has a way to combine cutaway illustrations to beautiful full-bleed pictures – all black and white in Pyramid‘s case.

Cutaway illustrations are the second category I have come up with in my Fulbright project during spring 2022 exploring presentations of data in children’s nonfiction picture books published in the United States (and mostly originated; with few exceptions), especially in the years 2021-22. For more information on the project and on the books I have explored read here.

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Illustrated Maps

“What is it about maps that intrigues us? Why do we pore over them endlessly? The answer can be found in an earlier era, before much of the earth was explored. Maps lessened the fear of the unknown and looked authoritative, even though there were blank spaces filled with animals, compasses, or cartouches, and some of the supposedly known areas were incorrectly drawn.”

Nigel Holmes: Pictorial Maps – History, design, ideas, sources

Maps are the most usual form of data visualization in children’s nonfiction picture books. It’s not rare to find maps in fiction picture books, too. Illustrated maps are the first category I have come up with in my Fulbright project.

The maps in picture books are good. Often beautiful. They are simple, easy to read and fathom, well annotated. Usually they are focused on telling one thing or a storyline, and it is clearly presented. A lot of the maps are world maps. Let me show you a few examples.

The Very True Legend of the Mongolian Death Worms by Sandra Fay (Author & Illustrator), 2022

I like how Sandra Fay has painted the texts, too, in this map on endsheets. (I chose to start with a fiction picture book!)

Ducks Overboard! A True Story of Plastic in Our Oceans by Markus Motum (Author & Illustrator), 2021

The map on Ducks Overboard! tells about the real-life spill of tens of thousands of plastic ducks into the Pacific Ocean in January 1992 and how those ducks floated away from the spill site following ocean currents.

The Story of Climate Change: A First Book About How We Can Help Save Our Planet by Catherine Barr and Steve Williams; illustrated by Amy Husband and Mike Love, 2021

This map doesn’t have place names or other text linked directly to the map, but it’s function is in telling something else: It is used to show climate change destroying the habitats of animals and plants in a big scale. It does require some knowledge of the world map from the reader, but like I mentioned above… kids have most likely seen world maps before.

Just Right – Searching for the Goldilocks Planet by Curtis Manley & Jessica Lanan (Illustrator), 2019

There’s undeniable clarity in this map-in-the-ceiling: “Too cold / hot”! It is welcome when the content is not that common knowledge.

Oceanarium: Welcome to the Museum by Loveday Trinick & Teagan White (Illustrator), 2022

There is barely text on the Oceanarium ‘peeled orange’ map; only names of the five oceans. Such a strong and unusual map doesn’t need words, and it’s positioned at the start of the book. Like it’s saying: Start here but come back as often as you want!

Data visualization is easy to approach through maps

When looking at maps from visual/verbal narrative point of view, maps are almost always primarily visual and the verbal part is selective and sparse. We all know this: we don’t want map information explained to us. The place names are usually adequate.

During my Fulbright project I’ve talked a lot about maps. They are easy to approach; and data visualization is easy to approach through maps. I like the distinction Nigel Holmes makes in his book between atlases and pictorial maps: “Users of an atlas bring their own agenda to the reading process. The atlas is read with a mission; something needs to be found out from the basic factual well of information.”

Pictorial or illustrated maps don’t need to be approached with a mission or an agenda. “It (pictorial map) concentrates the readers’ attention on some part of itself, announcing its subject clearly – and pictorially. It is therefore different from the atlas map in that it has a specific message.”

I think this distinction can be spotted elsewhere in data visualization, too, especially when looking at things from the perspective of illustration.

Looking at structures

Can a map be the main structural factor of a book? Yes, it can.

Maps by Aleksandra Mizielińska and Daniel Mizieliński, 2013, shows a map on its every spread, altogether 52: one of the world, seven of them maps of continents and the rest are maps of countries. The chosen countries of each continent are arranged starting from the north and moving southbound. In the end of the book you can find a collection of flags.

Prisoners of Geography: Our World Explained in 12 Simple Maps by Tim Marshall, Grace Easton & Jessica Smith (Illustrators), 2019, is a book built around 12 maps. This is a book that’s not underestimating anyone: I love it that they made a book for kids from Marshall’s original book of 10 maps.

Illustrated maps are the first category I have come up with in my Fulbright project during spring 2022 exploring presentations of data in children’s nonfiction picture books published in the United States (and originated; with a few exceptions), especially in the years 2021-22. For more information on the project and on the books I have explored read here.

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Name change: Illustrating Data

This blog used to be called “Cold as Ice Cream”, based on a Blondie song Sunday Girl. It was my visual diary that I started 2015.

I will spend spring semester 2022 in Simmons University, Center for the Study of Children’s Literature in Boston, MA, USA, as a Fulbright grantee. My project is called ”Data visualizations in children’s non-fiction picture books”. It is a combination of my two passions as well as main themes in my career so far: Creating non-fiction picture books and illustrating data. I realized I wanted a platform where to write about those themes, and about the project.

Hence the new name, hence the new layout! From now on I will write about non-fiction picture books, the cooperation of illustration and words, infographics and visual accessibility and of course – illustrating data.

Welcome!